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Parallelism is the dominant feature of Hebrew poetry; questions with this tag have to do with the craft of Hebrew poets.

The parts of a line of Hebrew poetry often exhibit features of sound, syntax, and/or semantics which bind them together, and through which the poet achieves artistic expression.

An example of what is sometimes called "synonymous parallelism" -- where each element in one part of the line finds a corresponding element in the other -- is found in Psalm 149:2 (English is NASB) -

(A)
Let Israel be glad in his Maker;
yiśmaḥ yiśrå̄ʾēl bə-ʿōśå̄w
יִשְׂמַ֣ח יִשְׂרָאֵ֣ל בְּעֹשָׂ֑יו

(B)
Let the sons of Zion rejoice in their King.
bənē-ṣiyyōn yå̄ḡīlū ḇə-malkå̄m
בְּנֵֽי־צִ֝יּ֗וֹן יָגִ֥ילוּ בְמַלְכָּֽם׃

Where the A and B parts of the verse have these "parallels":

A                B
Israel        →  the sons of Zion
be glad       →  rejoice
in his Maker  →  in their King

The biblical poets exploited a myriad of possibilities in this structure for composing their poetry.

For a discussion of how this feature of biblical Hebrew poetry has been described, see the relevant section of "Poetry" article by Andrea L. Weiss in the Encyclopaedia Judaica (2008).